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      MIKE KROL in Phoenix


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      July 19, 2019

      Friday   7:30 PM

      130 North Central Avenue
      Phoenix, Arizona 85004

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      MIKE KROL

      with MAN HANDS, IT'S EMBARRASSING
      Of all the breakups in Mike Krols songs, the most harrowing story is about his breakup with music. In 2015, coming off his best record yet and the ensuing world tour, Krol found himself in the midst of a full-blown existential crisis. Hed invested everything to create the rock-and-roll life hed always wanted, but he wasnt sure the life wanted him back. Power Chords, Krols new Merge release, picks up where 2015s Turkey left off. It traces Krols journey back to punk rock, harnessing both the guitar technique and the musical redemption referenced in its title. To rediscover the power in those chords, Krol recorded for two-plus years in three separate locations (Nashville, Los Angeles, and Krols native Wisconsin). The record opens in a howling maelstrom of feedback: welcome to Krols crucible. After a stage-setting spoken-word intro (I used to never understand the blues, until the night I met you. And every day since, Ive gotten better at guitar), we find ourselves back in familiar Krol territoryaggressive and assertive, scratchy and raw, catchy as hell but something has changed. The sounds have a new densityand so do the stories. Krols lyrics have always walked a fine line between self-acceptance and self-destruction, but throughout Power Chords, they reveal a new sense of self-awareness. Without a little drama I grow bored and sick of all my days, he sings on Little Drama, and its just one revelatory moment on a record full of them. Of course, none of this is to say that Krol has mellowed. You might find a mea culpa or two, but Mike Krol will never be chastened. If anything, hes out more for revenge than forgiveness, and if hes grown, its because hes grown bolder. Hes wielding the same influencesMisfits, The Strokes, early Weezer, Ramonesbut turning up the gravity and the gain. Indeed, Krol has gone somewhere new; yes, he bludgeoned himself with over-analysis and self-loathing, but along the way he stumbled upon a trove of intricate guitar lines and artfully mutating melodies. Its there in the chorus of Blue and Pink, the bridge in I Wonder, the entirety of the deliriously infectious first single, An Ambulance. Music ruined Krols life. And then saved it. In chronicling that process, Krol has made his best record painful, voyeuristic, and angry, but ultimately transcendent and timeless. It is the sound of Krol giving in to a force greater than himself, as though the chords are playing him rather than the other way around.

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